Shostakovich Jazz Suite No. 2
I. March II. Lyric Waltz III. Dance 1 IV. Waltz 1 V. Little Polka VI. Waltz 2 VII. Dance 2 VIII. Finale
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On February - 22 - 2013
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Dance 1 gives me images of riding around on a pony on a stick. Just me?
it was made for cabaret
It was, but now that you mention it I can’t un-imagine it anymore.
The intro sounds like anything by Sousa in my opinion.
The little polka is simply joyous!
An artist that i love to listen when i need a pick me-up. I was told about him in guyana by an artist who painted to the music in the 60s and found the music when i arrived in Canada in 71.
Thanks for uploading! i love this
How you can one get out of the financial crisis, swallow, with migrating one , as? you are my Sweet love swallow and this music is for you!. Chus Fernández Rodríguez
IS THIS JAZZ? I DONT THINK SO.
prodeej plz
It was considered jazz when he wrote it. Back then, jazz wasn’t a lot more jazz-ish.
This very light piece ( to Shostakovich standards) was composed to satisfy the ears of the kremlin gorillas. He was enormously pressed by the authorities to fit the model of music they had for the people’s revolution. He set the “jazz” word on the title because, to the soviets, jazz was american, but black people’s music, so it was an allowed as musical genre because it was composed/performed by an opressed etchnic group.
Mary Poppins 0.5 . No comment on that one.
I think that “Jazz” is just ironical, and refers only to the March than opens the suite, that is the only thing that reminds jazz. The second waltz even reminds Vienna and Strauss…
So I also don’t think that communism or Stalin are related to this music, and the cold war was not started yet (not even the second WW).
Actually, according to Shostakovich’s biographers, this piece is actually the Suite for Variety Orchestra. There was a Jazz Suite No. 2 that was lost during WWII, and this was mistaken to be it.
This piece doesn’t sound Russian, it’s sounds more German/Bavarian.
I love the waltz <3
Correct, it’s the Suite for Variety Orchestra from the 1950s. Adapting rather variety or circus music, not jazz. However, a petty understanding of jazz is showing here when saying “jazz is american, therefore anything but communist” or Russian. Remember all those other classic European composers who adopted jazz harmonics, ragtime syncopes into classics, like Ravel, Kurt Weill, Strawinsky, Martinu, Debussy and many more. Embarassing to trivialize them or Shostakovich as communists.
I have to laugh at 6:27
Tchaikovskied right in the face!