Altered Harmony: Why and How (Jazz Guitar Lesson JA-025) How to Play

Justin's Completely Free Jazz Guitar Lessons. This is Lesson JA-025. This lesson explains altered harmony and why and how we alter 7th chords. It's a theory lesson and might just do your head in! :) Find the related course notes on the following link: justinguitar.comTaught by Justin Sandercoe. Full support at the justinguitar web site where you will find hundreds of lessons on a wide range of subjects, and all the scales and chords that you will ever need! There is a great forum too to get help, no matter what the problem. And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just tons of great lessons :) To get help with this lesson (and for further info and tabs), find the Lesson ID in the video title (like ST-667 or whatever) and then look it up on the Lesson Index page of justinguitar.com www.justinguitar.com Have fun .

Be Sociable, Share!
Ratings: 1 Star2 Stars3 Stars4 Stars5 Stars (No Ratings Yet)
Loading ... Loading ...
197 views

4 Responses to “Altered Harmony: Why and How (Jazz Guitar Lesson JA-025) How to Play”

  1. 9 people have a splitting headache

  2. jpgcomposer says:

    I would still use the B natural rather than Cb (since Cb is not the natural third in a G7 chord). I also don’t find it particularly helpful to even think about the so-called “parent” scale of melodic minor, because you would never look at Galt7 and think it is some kind of Ab- sound or function, it is just coincidentally the same notes. But if you find it helpful because you know lots of Ab- melodic minor licks (doubtful), so be it.

  3. Jake Hadlee says:

    So, there’s a very accomplished guitarist, who has a CV most of us would envy, who spends some time explaining guitar theory – for free – on YouTube to help people to learn the guitar. And 9 people decide to click “dislike”

    Tell you what, could all 9 people please come back on and tell us what you’ve done with your musical career and what you’ve given back for nothing. If it’s more than Justin, all power to you. If it’s less. Well, you work it out.

  4. Raef Black says:

    is there a chance that might give some playing examples of how to use your altered scales over this 8 bar sequence. |Dm |C#7|G7 |Ab7| A7| Em |Eb7 |A7|

Leave a Reply