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Justin's Completely Free Jazz Guitar Lessons. This is Lesson JA-025. This lesson explains altered harmony and why and how we alter 7th chords. It's a theory lesson and might just do your head in! Find the related course notes on the following link: justinguitar.comTaught by Justin Sandercoe. Full support at the justinguitar web site where you will find hundreds of lessons on a wide range of subjects, and all the scales and chords that you will ever need! There is a great forum too to get help, no matter what the problem. And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just tons of great lessons To get help with this lesson (and for further info and tabs), find the Lesson ID in the video title (like ST-667 or whatever) and then look it up on the Lesson Index page of justinguitar.com www.justinguitar.com Have fun .

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4 Responses to “Altered Harmony: Why and How (Jazz Guitar Lesson JA-025) How to Play”

1. thevisionary2007 says:

   November 23, 2012 at 9:49 pm

   9 people have a splitting headache

   Reply
2. jpgcomposer says:

   November 27, 2012 at 8:13 pm

   I would still use the B natural rather than Cb (since Cb is not the natural third in a G7 chord). I also don’t find it particularly helpful to even think about the so-called “parent” scale of melodic minor, because you would never look at Galt7 and think it is some kind of Ab- sound or function, it is just coincidentally the same notes. But if you find it helpful because you know lots of Ab- melodic minor licks (doubtful), so be it.

   Reply
3. Jake Hadlee says:

   December 1, 2012 at 7:00 pm

   So, there’s a very accomplished guitarist, who has a CV most of us would envy, who spends some time explaining guitar theory – for free – on YouTube to help people to learn the guitar. And 9 people decide to click “dislike”

   Tell you what, could all 9 people please come back on and tell us what you’ve done with your musical career and what you’ve given back for nothing. If it’s more than Justin, all power to you. If it’s less. Well, you work it out.

   Reply
4. Raef Black says:

   December 4, 2012 at 12:25 am

   is there a chance that might give some playing examples of how to use your altered scales over this 8 bar sequence. |Dm |C#7|G7 |Ab7| A7| Em |Eb7 |A7|

   Reply